IMPORTANT – this article contains not only spoilers, but links to clips that some people may find disturbing or frightening (it’s about a horror film, after all). Please proceed with caution!
Among John Carpenter’s substantial corpus (corp’s(e)?) of work as a director not only of horror, but a great many other fine genre movies, his 1982 alien creature feature The Thing is something of an anomaly. For one, following a previously unbroken a streak of commercial (if not always critical) hits – the more independently financed Assault on Precinct 13, Halloween and The Fog, and the bigger-budget dystopian action thriller Escape from New York – the film was, at least at first, a resounding failure, making minimal profits on its budget and promptly losing Carpenter the major studio backing from Universal Pictures he had only just recently secured, leaving him, somewhat like its survivors, adrift in the (Hollywood) wilderness. On an artistic level, it also bucks the trend prominent in Carpenter’s back catalogue of the director (for both artistic and financial reasons) scoring his own films, often with the aid of his long-time musical collaborator Alan Howarth. (This practice would continue long after the release of The Thing and would, indeed, lead later to Carpenter pursuing a side career as a musician, including two studio albums of Lost Themes released last year.)